Two girls stand against a clear sky and flying wisps of clouds–and against a clothesline. There is a bit of wind in the uplift of the new wash and the girls’ hair and clothes. But most importantly, there is light caught in the sky and the very earth the girls are standing on. I think this is one of my very favourite photographs anywhere.
Last year, while reading Leslie Marmon Silko‘s gorgeous memoir The Turquoise Ledge, I started looking at the photographic work of Lee Marmon, Silko’s father. It was a revelation, together with the sharp sadness of not having known this magnificent body of work earlier. I have since picked up and spent time with two books that bring some of this remarkable work to codex print: The Pueblo Imagination: Landscape and Memory in the Photography of Lee Marmon (Boston: Beacon Press, 2003), and the recent Laguna Pueblo: A Photographic History (Albuquerque: University of New Mexico press, 2015). Little Girls at Clothesline is reproduced from its online presence at the Lee Marmon Gallery–although I should mention that you cannot see anything of its luminosity and detail in this limited-resolution reproduction. I realize too that what I have seen so far is a very small fraction of Marmon’s work. Some day, I should love to look in on the University of New Mexico’s Lee Marmon Pictorial Collection to spend more time among these contours of light.